100 watts RMS, 200 watts “peak music power”.Charcoal Sparkle Naugahyde “Tuck ’n’ Roll” covering.Volume, bass, treble, tremolo speed and intensity, reverb and bright switch.Two-channels, all solid-state circuitry.So again, that just goes to his eye as an entrepreneur and an innovator in the industry. “He thought, This is very eye-catching, I think there’s something here. “He met a guy who had experience with upholstery work on automobiles, and liked that look,” Cameron explains. The distinctive look of Kustom amplifiers came about via another Bud Ross brainstorm. They rented a small grocery store and started making the amps there, and they lived in the apartment above it.” “It could have been any town in southeast Kansas,” Cameron says, “but they picked Chanute because of a Mexican restaurant they liked. Quitting his day job, Bud and his wife moved from Kansas City to Chanute, roughly 120 miles south, to take advantage of the opportunity. Crank them up, though, and they’ll exude some beefy, blocky crunch, tooĪt the time, the state’s Small Business Association was offering loans to encourage people to start businesses in Chanute.
With no master-volume controls at all, Kustom amps were intended for loud, clean playing. ”He worked for a company selling garage doors, and the guy who owned that company said he would help him make an amp, because he had this idea and wanted to move to solid-state.” “He played bass, and he didn’t like a lot of the amps that were available at the time, and that’s how he started it. “He had no background in electronics,” his grandson Cameron tells us. Ross himself was the consummate “ideas man,” an entrepreneurial spirit who didn’t let a lack of know-how slow him down. Kustom was a brand name of Ross Inc, a company founded by Charles A. Crank them up, though, and they’ll exude some beefy, blocky crunch, too. It looks less like the innards of your defunct VCR - the way many modern-day solid-state amps do - and more like the circuit layout of a tube amp from the era, minus the tubes.Ĭonstruction was relatively robust, and these things tended to do pretty well on the road, although they were certainly manufactured with an eye on the bottom line. Inside the chassis is old-school solid-state construction. It stands on a matching ported 2x15 cab, although some were sold with mammoth 3x15 cabs. The two-channel head has one Normal channel with controls for volume, bass and treble and a bright switch, and a Bright channel with additional speed and intensity controls for its tremolo, as well as reverb.
This K200B was billed as a 200-watt model, although a 100-watt RMS rating might have been more realistic many solid-state amps of the day were advertised using their peak power rather than RMS power.
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